The Journal
Field notes.
Field notes on the five materials, the production facts behind them, and what we have not solved.

Six hundred years of distilling the rain
Clay, a copper still and a wood fire. The one material in the collection with no synthetic equivalent.
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Aquilaria: resin from an injury
The tree makes its resin only where it has been damaged. Why oud is priced by the tola.
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The maceration room — why we wait
Six to eight weeks in steel before a bottle is filled. What the wait does, and why we refuse to rush it.
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Pampore, at the saffron harvest
A week in Kashmir among the crocus fields that produce the most prized aromatic material on earth.
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